英语翻译Both these aspects of design were subject to alteration.It became increasingly common during the Baroque era for the second half to relate more precisely to the first.In particular,the listener’s comprehension of the form was aided by a

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英语翻译Both these aspects of design were subject to alteration.It became increasingly common during the Baroque era for the second half to relate more precisely to the first.In particular,the listener’s comprehension of the form was aided by a

英语翻译Both these aspects of design were subject to alteration.It became increasingly common during the Baroque era for the second half to relate more precisely to the first.In particular,the listener’s comprehension of the form was aided by a
英语翻译
Both these aspects of design were subject to alteration.It became increasingly common during the Baroque era for the second half to relate more precisely to the first.In particular,the listener’s comprehension of the form was aided by a ‘rhyming’ of the outer parts of each half.Thus the second half would often begin with a dominant version of the first half’s opening unit or phrase,either briefly acknowledged or quoted extensively.An inversion of the material was also common,particularly in gigue movements (see,for instance,the Gigue from Bach’s English Suite no.4 in F).In the Allemande from the same work,not only does the material appear in retrograde,but also the hands swap roles,the left hand now taking the melodic lead.This dominant version of material was often used as a springboard to regaining the tonic,albeit often only briefly before the harmony moved further afield

英语翻译Both these aspects of design were subject to alteration.It became increasingly common during the Baroque era for the second half to relate more precisely to the first.In particular,the listener’s comprehension of the form was aided by a
这两个面向设计可能更改.越来越现象在巴洛克时期下半场更精确的联系到先来的为止.特别是,听者的理解的形式的辅助下的押韵的外部件都一半.因此下半场一开始,常常会主导版本的上半场开幕的单位或短语,要么简要承认或引用广泛.反转材料的也很常见,尤其在gigue运动(看,例如,gigue从巴赫的英语套房4号在F).在Allemande同样的工作,不仅资料出现在逆行,而且手交换一下角色,左手现在以旋律领先.其优势版本的材料是常用的作为跳板,重获主音,虽然往往只是前做暂时渐行渐远的和谐的诽谤